Vlad Fiscutean is the Creative Visionary Leader and CEO of FMedia Studios, the sensory branding studio in Romania. His expertise include sensory branding, design, digital art, audio & video production, branding, marketing, business and software programming. He created brands for the USA, Germany, UK and the Romanian market.Vlad is a hybrid between artistic talent, analytical thinking and business skills. For a period of time he developed web and desktop applications asa programmer. Those years proved to be an outlandish but very useful foundation for his later career.In 2001 he was part of the team that was awarded the Great Prize of the National Cinema Art Festival (10th edition).Later, in 2005, he had his first solo digital art exhibition ("Identity - my other half", Teatru74, Tirgu Mures) and the mass-media noted it to be the first solo exhibition in Romania on the digital photomanipulation technique. At the exhibition he also lunched a Digital Art Manifesto explaining why digital art is not inferior to traditional art (as peopletought then). The exhibition was also maybe the first International art collaborative exhibition in Romania as he created the artworks from photography submited by worldwide photographers.
Vlad is in the network of Delia Costan in Timis.
Jan Steyaart is the social expert for Fontys on SHARE IT. Since 1995, he works at the Fontys University of Professional Education in Eindhoven, the Netherlands, with the School of Social Studies. He is also adjunct research professor at the University of Southampton, linked to the Centre for Human Service Technology. Since October 2008, his a professor at the master of social work at the university of Antwerp, teaching the module on technology and social work.
Geska Helena Brecevic is the Swedish partner for SHAREIT, together with Robert Brecevic and David Herdies. Together with Robert Brecevic, she has embarked on a three-year exploration of artistic R&D under the name PERFORMING PICTURES, where she acts a creative partner and producer. Her interest lies in exploring possible new grammars and syntaxes for responsive movies, and to work with moving imagery in relation to “elasticity” in narrative forms.



